Skip to main content

Cairo Station



Cairo Station Review


Directed by Youssef Chahine

1958 ‧ Drama/Crime ‧ 1h 35m

IMDB 7.7/10       Rotten Tomatoes 100%    My Rating ★★★

Youssef Chahine's 1958 film Cairo Station is quite the experience from the start to finish of the fairly short runtime. The film is a quite dramatic character study on the odd Qinawi (played by Youssef Chahine himself) and his infatuation with a woman named Hannouma (played by Hind Rostom) who is simply not interested in him. Qinawi's intense passionate feelings towards Hannouma leads him towards a crazy pathway all happening within the chaotic setting of Cairo Station in Egypt. The movie begins with a narration introducing Qinawi and how he was a bit of a homeless strange man living in the station and starts the film off with a foreshadowing quote: "Poor Qinawi, how could anyone have forseen his end?" A very intriguing start for sure and one that grabs the audience right away and keeps us waiting to see this character's certain demise.  

There are a fair few characters outside of Qinawi and Hannouma's dynamic story but none so many that stood out and a few that just flat out confused me? Chahine seems to have put most of his character writing into Qinawi and Hannouma and while these characters are excellent and intriguing some of the other characters plot lines felt vague and a bit confusing. Near the beginning of the film a worker in the train station injures his hand and his boss still forces him to work through his injury. This isn't the first time this has happened with these train station workers so they decide to strike up a union. This plot line seems to go basically nowhere after halfway through the film and doesn't really add anything to the story other than how bad the conditions for working in Cairo Station are. Another strange addition to the story is between a girl in a floral dress and her boyfriend (I think?) these two basically don't have any lines of dialogue really other than to flaunt their romance in the train station for Qinawi to stare at and yearn for a romantic partner of his own. These few gripes did lower my score of the overall film but I may have gotten confused and missed a few details connecting these other plot lines with the ones of the two main characters. 

Now for the most interesting part of this film: the delusional passion of Qinawi and the cheerful & lively woman he pines after, Hannouma. The way Qinawi acts made me wonder about his mental state since this character seems to show some signs of possibly a mental handicap or mental illness possibly. Most of the characters in the film describe him as "lame" and his childlike way of handling situations and borderline psychotic actions later definitely seem to imply some sort of mental issue. One thing is for sure though, Qinawi is very delusional and schemes his way towards ruining Hannouma's engagement to another man through quite gruesome measures. Qinawi's rather seemingly tragic life heavily contrasts with the very cheerful and confident Hannnouma who is seen throughout the movie to be very light hearted and has a great sense of humor as well as being quite content and confident with herself. These characteristics are what Qinawi appears to fall for and he wants her all for himself which leads him towards the actions in the unexpected and intense conclusion. A lot of aspects of this film were quite daring for the time period it came out during and I greatly respect Youssef Chahine for exploring these issues when not many other people dared to do so at the time. Richard Brody from The New Yorker writes, "Meanwhile, at the station, Hanouma, a raucous-voiced young Mother Courage, and her all-female band of freelance soft-drink peddlers struggle to break an official venders’ cartel; her fiancé, a porter, tries to unionize his colleagues despite the opposition of their corrupt boss; a proto-feminist organization protests domestic subservience; and a travelling band of bluejeaned rockers—featuring a funky accordionist and an astonishingly expressive female dancer—outrage religious traditionalists." Cairo Station is truly an important film for its time although not entirely my preference since I find older movies harder to watch it was still quite enjoyable and worth a watch. 3/5!


Comments

Popular posts from this blog

Captain Abu Raed

Captain Abu Raed Film Review Directed by Amin Matalqa  2007 ‧ Drama ‧ 1h 50m IMDB            Rotten Tomatoes           Slant Magazine                                          7.2/10                     80%                            1.5/4 My Rating  ✰✰✰ Captain Abu Raed is a heart warming tale about an elderly man working a lower class job in an airport as a janitor and how he saves and inspires the life of a young troubled kid. The first half of the film felt rather slow but it built up the character of Abu Raed fairly well in a way where we are able to understand why he is the way he is and how his upsetting past shaped him and his reactions to the people ar...

The Square

The Square Documentary Review  Directed by Jehane Noujaim       2013 ‧ Drama/History ‧ 1h 48m  IMDB          Rotten Tomatoes    Metacritic  8.1/10                100%                   84% My Rating  ✰✰✰✰ The Academy nominated documentary "The Square" is an absolutely harrowing and yet inspiring look into the demonstrations leading into the revolution happening in Tahrir Square from 2011-2013. The documentary follows a few of the activists who stayed in Tahrir Square until President Hosni Mubarak left and continues to follow their journey as the people of Egypt try to establish a different type of government rule. Unfortunately this divided the country into different sects or groups with their own specific interests in mind. This documentary more closely follows just two groups: the liberal youths a...

The Syrian Bride

The Syrian Bride Review  2004 ‧ Drama/Political drama ‧ 1h 37m IMDB  7.4/10             Rotten Tomatoes 88%            Roger Ebert 3/5 My Rating  ★★  The Syrian Bride (directed by Eran Riklis) is a drama about the plights of a family navigating bureaucratic troubles in order to marry their daughter Mona to a television comedian Tallel from Syria. In order to marry him she will not be able to return to her homeland of Israel and is very troubled by the thought of leaving her family behind. There are a lot of other subplots within the family members like Tallel's brother who married a Russian woman and because of this he is not on good terms with his family and also the story of the sister of the bride and how she wants to go back to school but her husband won't let her. These side plots are a bit confusing and don't really add much at all to the main story as they intertwine togethe...